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FORT SCOTT
EARLY LIBRARY HISTORY
The idea of a library for Fort Scott was conceived by the Hon. Eugene
F. Ware in 1869 when the land value boom was broken and there were a
large number of foreclosures of mortgages, as well as a great many
pieces of abandoned property. Ware reckoned that the abandoned
property, if held in trust, would furnish a good fund for establishing
a public library once good prices for land returned. The scheme worked
and thus the public library was founded. Hon. George Opdyke, a multi-
millionaire and an ex-mayor of New York, and the Hon. H. H. Hunnewell,
of Boston, another entrepreneur, agreed to Ware's scheme and gave up
some of their worthless property for the library project. The library
got underway in 1883. Col. Calvin Huntington, uncle of Mrs. Ware, gave
$500.00 for an art library.
For all his struggles to establish a library and keep it going, Ware
received little praise. In 1914, in a statement published by Judge C.
E. Cory to remove any public speculation that Ware had personally
profitted from the library scheme, Cory wrote:
After the years of struggle and coaxing to get the taxes abated and
to get the city to accept the library, [Ware] finally became weary
of the contest and asked the district court, the custodian of the
trust funds, to relieve him of the trust and close it out. He
became tired of an unequal fight against an unappreciative public.
In the midst of the court case, W. P. Dillard stepped in and circulated
a petition which called for an election to establish a library. The
election was held April 3, 1894, and carried. All property was turned
over to the new board of directors.
THE CARNEGIE LIBRARY
On March 14, 1901, Andrew Carnegie offered $15,000.00 for a library
building (an amount later raised to $18,000.00). The names of the
architect and contractor have been lost. A site at Second and National
was chosen for the library. The cornerstone was laid in 1904; the
library was opened in February, 1904.
DESCRIPTION OF THE BUILDING
The building, designed in the Beaux Arts tradition, is rectangular, a
two-story structure of red brick above a raised basement. The building
is unusual in that the main entryway is found on the gable end rather
than on the long side. The gable end of the building has three bays
while the side facade sports five bays. Arched windows flank the
arched doorway of the facade. The main doorway surround is defined by
limestone blocks. The window surrounds are defined by limestone
lintels and recessed brick paneling. The corner design is of limestone
quoins that cut back and forth and filled in with brick, an Eclectic
approach. There are three semi-circular dormer windows which pierce
the roof on the side of the building and are centrally located; Six
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